A charming film which consists mainly of an extended duologue. Two people who may or may not be in love spend a few days and nights together. The camera seems to observe passively as their relationship develops. However littered throughout this carefree romance are shots of a classic cops and robbers chase. The drama and the sweetness sit together as oddly as these two bedfellows.
The first half of the film serves as a seduction scene. Impossibly a man who lies and steals for a living has found a woman even more guarded than he is. They discuss little insignificancies for hours with her rebuffing him at every turn. She is aloof, coquettish and absolutely maddening for a man with a private agenda. There is no sentimentality in Godard’s camera, it shows us a situation without drawing back or making light of it. All that you see simply is. Godard edits out the silences, replacing them with bold jump cuts as the repartee continues. Truffaut’s script is razor sharp despite it’s deliberate oblique quality. The pertinent details are never quite addressed but are made perfectly clear in these actions of these charmingly capricious characters. If it wasn’t treated so plainly and naively this would be a hyperbolic tragedy. However, with a light jazz accompaniment and a spring in its step the action blithely unfolds, barely leaving a blip in the fabric of society.