It’s hard not to feel encroached upon by the endless parade of branding and merchandise surrounding animated films. With Shrek turning out to be the multi-sequelled hydra it set out to mock and the announcement of a Frozen 2 and a Toy Story 4, a film whose name itself is a product would seem to be another manifestation of the problem. But this, thankfully, is not yet the fate of The Lego Movie even nearly a year after its release. But then again this is coming from Phil Lord and Christopher Miller, who brought us Cloudy with a Chance of Meatballs and its sequel of equal quality so there was little to fear.
There’s something about Lego that has been begging to be made into a film for years. I personally have never come across someone with even the vaguest passing interest in cinema that never made a Lego stop motion. Not all of them matched up to the masterful creations that blow up youtube, but then most of them were made with cameraphones. The Lego Movie didn’t opt for stop motion, although technically speaking it could have been done, if you had more Lego than is possibly imaginable and several lifetimes to go with it. Instead this Lego is CGI, but still for the most part obeying the laws of movement within the Lego universe – ie: the bricks don’t change size. Ever. Everything is built entirely to scale in the computers out of Lego pieces that genuinely exist in the physical world. This makes the whole film seem more tactile, in places the Lego even has fingerprints and scuff-marks as if you’d brought your own plastic bricks to life. When the film does slip in a few moments of stop motion and even live action sequences they are so well matched to the CGI Lego world that it doesn’t even feel like a break. What’s even better is that the real world is slowly woven into the story and the fabric of the animation throughout the film so that when Emmett (our adorable everyman voiced by Chris Pratt) finally makes it into Live-Action-Land it doesn’t feel like a gimmick tacked onto the end of the movie just to show some cool Lego structures that actually got built.
Yet while you’re watching this film you don’t really take notice of the painstaking attention to detail and the incredible technological feat and scale of imagination that went into this film. You are most likely too busy laughing. The jokes come thick and fast and are so dead-pan that many of them can be missed on the first viewing. It’s an ebullient, joyful humour that’s never laughing too much at anyone in particular. There’s a genuine heart to the film that doesn’t fall into cynicism, not even towards Lego Batman, the most reproachable minifigure you’ll ever see. The characters fall somewhere between stereotype and archetype as well as mixing in some well-known faces from popular culture so the experience is more like hanging out with an old group of friends than watching a brand new set of characters. It’s comforting and relaxing without being predictable.
What’s more is that this film belongs to the perpetually diminishing number of films that can genuinely be called “family films” in that every member of a family can enjoy them. It’s a kids’ film, yes. But some of those jokes will be flying over their heads and I doubt they’ll be appreciating the ironic deconstruction of mass-produced uniformity that lingers over the film as an ever-present fate worse than death. At its core it wants to say something about being creative and allowing your imagination to run free. This is, as the film aptly shows, most often something adults need to be told more than kids. The child, every child is the hero here and it appeals to nostalgia and hope for the future at the same time. It’s hard not to be uplifted by this film, even if in a few places the plot almost meanders off and the message feels a little as if it’s being delivered with a hammer it’s well-meaning, it’s fun and it captures some childish joy that everyone wants to hold on to.
- Entertainment: 5/5
- Artistic: 3/5
- Intellectual: 3/5