Today my film reviews are travelling back, way back in time, to the golden age of Hollywood Starlets and Billy Wilder’s 1959 Some Like it Hot. I always hear that humour doesn’t transfer well over generations but I can assure you that Some Like it Hot is just as funny today as it ever was.
Starring Marilyn Monroe, Tony Curtis and Jack Lemmon in an all-female band the form is more like a Shakespeare play than a modern comedy, but once you tune into the genre it’s actually completely charming. The brunt of the comedy comes from a complex series of mistaken identities and mild sexual innuendos. It seems surprising just how racy some of these jokes are despite their obliqueness. Truly, constraints are the father of creativity.
All three principal players never miss a beat in this film. It’s hard to review Marilyn Monroe’s performance since she acts exactly as the pop culture canon trains you to expect. She’s sweet, a little ditsy and hopelessly, tragically romantic. However I will congratulate the costume department for having found new and innovative ways to drape fabric in such a way as they leave nothing to the imagination. Both Lemmon and Curtis are impressive, switching between distinct personas on screen within seconds. Curtis particularly, pretending to be two different people as Joe is spellbinding in all three incarnations. His characterisation is, naturally, humourous and caricatured but consistent to the point of incredibility.
What’s great about this film is that it hasn’t aged one bit. While, of course, it now feels like a period piece, the humour and archetypes employed are so timeless that it doesn’t feel alien like many of the films contemporary to it. It’s still a living, breathing piece of cinema rather than a dusty, odd museum piece that can only be appreciated through contextual knowledge of the time. That makes this raucous comedy all the better in my eyes.
- Entertainment: 5/5
- Artistic: 2/5
- Intellectual: 2/5